It’s Only the End of the World — Review Nathalie Baye and Gaspard Ulliel in a scene from Xavier Dolan’s It’s Only the End of the World. “It moves, but only in the sense that it starts at one point and ends later.” Continue reading “It’s Only the End of the World — Review” →
Spectre — Review “Spectre has big exciting setpieces, further doused with wit, iconography, and the type of pedigree that only this particular series can achieve, but it’s not the plateau coming off of a recent rise.” Continue reading “Spectre — Review” →