“[Director Céline] Sciamma is clearly trying to develop a valid message at the center of her film, which goes deeper than a message of socioeconomics, and to be fair, she does reach it at points, but the problem is that it feels more like a wide-ranged barrage of ideas and scenes than a valid and smoothly moving project.”

Continue reading “Girlhood (Bande de Filles) — Capsule Review” →