by Ken Bakely
Catching up with two more reviews of movies that I missed from the first half of the year, here are my thoughts on Autumn de Wilde’s Emma. and Leigh Whannell’s The Invisible Man.
Anya Taylor-Joy
Thoroughbreds — Review
Olivia Cooke (background) and Anya Taylor-Joy (foreground) in a scene from Cory Finley’s Thoroughbreds
