Ambulance – Review “There is remarkable synergy and calibration to this movie; controlled excess done skillfully enough to show off, but then keep going.” Continue reading “Ambulance – Review” →
RRR – Review “Not only is it boundless in energy and enthusiasm, but its generous sense of creativity keeps its viewers in its enthralling hold.” Continue reading “RRR – Review” →
The Paper Tigers – Review “A wry and observant character-driven comedy that has the fixtures of an action movie wrapped around it.” Continue reading “The Paper Tigers – Review” →
Riders of Justice – Review “A fascinating and nuanced tale, surprisingly lighthearted at times and wrenchingly probing at others.” Continue reading “Riders of Justice – Review” →
Nobody – Review “It’s fully committed and very well-made, making for a deliriously entertaining ride as it enthusiastically navigates its own absurdities.” Continue reading “Nobody – Review” →
Godzilla vs. Kong – Review “It’s all too often pedestrian and obligatory, the last thing that this kind of movie should be.” Continue reading “Godzilla vs. Kong – Review” →
Possessor — Review “A riveting movie that operates with impeccable speed and extraordinary energy.” Continue reading “Possessor — Review” →
Alita: Battle Angel — Review “A cheerfully mystifying experience, even if you’re not sure exactly how to quantify it while you’re watching it.” Continue reading “Alita: Battle Angel — Review” →
Bright — Review Will Smith and Joel Edgerton in a scene from David Ayer’s Bright. “Filmed like a network procedural and told like a half-forgotten tale.” Continue reading “Bright — Review” →
Wheelman — Review Frank Grillo in a scene from Jeremy Rush’s Wheelman. “The film works because of its relentless pace, and the strength of Frank Grillo’s lead performance as the lead character.” Continue reading “Wheelman — Review” →