Keanu Reeves and Lily Collins in a scene from Marti Noxon’s To the Bone.
“A movie made with good intentions, but carved from a boring template.”
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To the Bone — Review
Dunkirk — Review
Fionn Whitehead in a scene from Christopher Nolan’s Dunkirk.
“For all the flaws in its vertebrae, Dunkirk still shows us that [writer/director Christopher] Nolan is as strong a visual artist as he’s ever been, and the stripped-down nature of the execution here gives us a chance to observe the merits of his screenwriting talent.”
My Scientology Movie — Review
What’s going on behind those doors? They’re certainly not going to tell Louis Theroux (pictured).
“A mishandled, misedited beginner’s guide.”
It’s Only the End of the World — Review
Nathalie Baye and Gaspard Ulliel in a scene from Xavier Dolan’s It’s Only the End of the World.
“It moves, but only in the sense that it starts at one point and ends later.”
Spider-Man: Homecoming — Review
Tom Holland in a scene from Jon Watts’ Spider-Man: Homecoming.
“As breezy and enthusiastic as its take on the main character, this is a nice shot of bright, light entertainment.”
Baby Driver — Review
Ansel Elgort and Kevin Spacey in a scene from Edgar Wright’s Baby Driver.
“A dramatic electric shock to the expected and the generic.”
Get Out — Review
Have you ever felt like everyone’s staring at you?
“This train has no brakes, and the journey is lightning-fast and full of surprises.”
Moana — Review
Shimmer Lake — Review
L to R: Mark Rendell, Rainn Wilson, and Wyatt Russell in a scene from Oren Uziel’s Shimmer Lake.
