by Ken Bakely
You can’t say that 2018 was a particularly relaxing year. But looking at the year’s pop culture, it was certainly one that showed how better representation can wield positive results that have clear social value and make a strong mark on the cultural discussion, as movies like Black Panther and Crazy Rich Asians proved. Female directors and/or directors of color were at the helm for many of 2018’s most acclaimed features: from films as varied from If Beale Street Could Talk to Sorry to Bother You, and Shirkers to Madeline’s Madeline, this year took big steps in employing a wide diversity of voices and perspectives in filmmaking. Certainly more work is needed on this front, but it will be exciting to see what more progress can be made in the years to come. As Hollywood Reporter writer Rebecca Sun pointed out, diversity isn’t a passing trend or buzzword: it’s a reality that has simply been ignored for too long. And even though this year has dealt its share of dismaying setbacks for all the leaps forward made, I thought I would use this post as an opportunity to celebrate what has been accomplished on film, and what gives me hope for a brighter future.
by Ken Bakely
As the end of 2018 draws near, critics everywhere are drawing up lists and countdowns to commemorate the year in movies. While I plan to compile a traditional top 10 list, I still have a few 2018 releases to catch up on, and so I’m not ready to debut it just yet. However, I would like to take this opportunity to share capsule reviews on five movies from the past year that I didn’t have the chance to write full reviews for, but would strongly recommend seeking out before you fill out your own retrospectives for the year. They’re listed in alphabetical order.