by Ken Bakely

Jesse Collins, Stacey Sher, and Steven Soderbergh had an unenviable task in producing the 2021 Oscars. With the traditional templates for devising a ceremony out of commission, even down to the venue, they had to figure out a way to keep the show as glossy as possible while working within the circumstances. Soderbergh said that he wanted the ceremony to be like a movie, and as the evening began, it felt like we were getting just that, as presenter Regina King led us in a tracking shot through Los Angeles’s Union Station as an opening credits sequence rolled in the show’s cinematic aspect ratio (video above). In the ceremony’s main venue – the station’s former ticket lobby – attendees were seated at rows of tables, and presenters freely traversed the space, giving the show an intimate, improvisational, and yet elegant feel. In short, it was everything the Golden Globes wish they could be. The on-screen talent were poised and charismatic; the location was well-appointed. The show’s best moments arguably came when the close-up format allowed the nominees and winners more of a chance to shine. I don’t think a single speech was played off, which is good, because many of the speeches were insightful and worthwhile.

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